Mandela-Bench: Multimodal Models Remember Canonical Images Instead of Seeing Them
Yicheng Bao, Zhenkun Gao, Xiahui Guo, Mingqian Yang, Xueheng Li, Bangwei Liu, Mingang Chen, Lijun Li, Xuhong Wang, Xin Tan
Abstract
Historical photographs and other canonical images can now be edited seamlessly with a single instruction, often leaving no reliable pixel-level trace. In such cases, the only evidence of manipulation may be a fact about what the image depicts. Existing benchmarks instead rely on generator artefacts, image-caption inconsistencies, visual implausibilities, or external references, and therefore do not test whether a model can use its own world knowledge to verify a recognized image. We introduce Mandela-Bench, containing 1,507 edits of canonical images: 1,359 knowledge-only forgeries, each contradicting one verifiable fact, and 148 anchor-free controls that preserve the editing process without introducing a factual contradiction, together with 474 untouched originals. We score not only whether a model detects a forgery, but whether its explanation identifies the inserted entity or the fact being violated. Across 36 multimodal models, from 0.8B parameters to frontier scale, we find a consistent failure mode. When a public figure is removed from a familiar photograph, models still name that person in up to 72.7% of responses. Some models can distinguish the replacement face from the original when shown in isolation, yet still judge the full edited photograph as authentic. Providing the true event and date does not improve knowledge-grounded detection, whereas providing the same information after cropping away the recognizable composition does. Even under explicit verification prompts, only one of the 36 models meets the KGR criterion on at least half of the forged images. These results suggest that the failures cannot be explained by missing knowledge or inadequate perception alone. Instead, they are consistent with recognition biasing verification toward the remembered canonical image rather than the observed edit.